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Productions
Futura (2010)
by Jordan Harrison
A Play on War (2010)
by Jenny Connell and Rubén Polendo
The Seagull (2009)
by Anton Chekhov
Leah's Train (2009)
by Karen Hartman
Out Cry (2008)
by Tennessee Williams
Blind Mouth Singing (2007)
by Jorge Ignacio Cortiñas
Falsettoland (2007)
by William Finn
The House of Bernarda Alba (2007)
by Frederico Garcia Lorca
The Dispute (2006)
by Pierre Marivaux
Cowboy v. Samurai (2005)
by Michael Golamco
Ivanov (2005)
by Anton Chekhov
Eyes of the Heart (2004)
by Catherine Filloux
Antigone (2004)
by Sophocles
Tales of Unrest (2003)
Two one-acts by
by Joseph Conrad
Air Raid (2003)
by Archibald MacLeish
Fuenteovejuna (2002)
by Lope de Vega
The House of Bernarda Alba (2000)
by Frederico Garcia Lorca
Harmfulness of Tobacco (2000)
by Anton Chekov
A Phoenix Too Frequent (2000)
by Christopher Fry
Othello (2000)
by William Shakespeare
He Who Says Yes (1999)
by Kurt Weill and Bertold Brecht
Falsettoland (1998)
by William Finn
You Can't Take It With You (1998)
by George S. Kaufmann and Moss Hart
Long Day's Journey Into Night (1997)
by Eugene O'Neill
Ah, Wilderness (1997)
by Eugene O'Neill
The Gaol Gate /
Purgatory
How He Lied to Her Husband /
Village Wooing (1996)
by George Bernard Shaw
School for Wives (1995)
by Moliere
Love Labour's Won (1995)
An Original Revue by William Shakespeare
assisted by Leonard Bernstein, Cole Porter, Richard Rodgers and Lorenz Hart
Our Town (1994)
by Thornton Wilder
The American Dream (1994)
by Edward Albee
The Cherry Orchard (1993)
by Anton Chekhov
A Midsummer Night's Dream (1992)
by William Shakespeare
The Stronger (1991)
by August Strindberg
3 by Chekhov (1990)
The Harmful Effects of Tobacco
Swan Song
A Marriage Proposal
I am
216.14.208.111 You are 38.107.191.113
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NAATCO - Long Day's Journey Into Night
Long Day's Journey Into Night
by Eugene O'Neill
November 4 - November 23, 1997
Mint Theatre
311 W. 43 St
New York, NY
Directed by Stephen Stout
- The Company -
Ernest Abuba
Mia Katigbak
Paul Nakauchi
Andrew Pang
Jody Lin
The emotional and physical toll is played out on the
faces of the actors. Those seeking a free-for-all, the kind of production
unleashes overwrought action and reaction, that causes shrieks or
a good cry, will have to look elsewhere.
Les Gutman - CurtainUp
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